AFTER Isoda Koryusai 礒田湖龍斎 (JAPAN, 1735-1790)

Young beauties or Bijin

Circa 1880s, Meiji period

An interesting aizuri-e / Prussian blue oban tata-e woodblock print

Dimensions (the leaf):...

AFTER Isoda Koryusai 礒田湖龍斎 (JAPAN, 1735-1790)

Young beauties or Bijin

Circa 1880s, Meiji period

An interesting aizuri-e / Prussian blue oban tata-e woodblock print

Dimensions (the leaf): 45,4 x 29 cm

 

Provenance: A large collection of 100+ Japanese woodblock prints, properties from a French collector.

 

Notes:

Isoda Koryūsai was a Japanese ukiyo-e print designer and painter active from 1769 to 1790. Born in 1735, he worked as a samurai in the service of the Tsuchiya clan and later became involved in the process of creating woodblock prints.

2. The term aizuri-e (藍摺絵), lit. ‘blue printed picture’, refers to Japanese woodblock prints that are printed entirely or predominantly in blue. The development of that technique was associated with the import of the pigment Prussian blue from Europe in the 1820s. Prussian blue had a number of advantages over indigo blue: it was more vivid, had greated tonal range and was more resistant to fading.

NOTE: CONDITION REPORTS AND MEASUREMENTS

 

It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.

 

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