Utagawa Hiroshige 歌川広重 (JAPAN, 1797-1858)

‘Splendid View from the Top of Matsuchiyama’ (Matsuchiyama ue mibarashi no zu 真乳山上見晴之景)

1832–38 (Tenpo 3–9)

Oban tata-e woodblock...

Utagawa Hiroshige 歌川広重 (JAPAN, 1797-1858)

‘Splendid View from the Top of Matsuchiyama’ (Matsuchiyama ue mibarashi no zu 真乳山上見晴之景)

1832–38 (Tenpo 3–9)

Oban tata-e woodblock print

From the series Famous Places in the Eastern Capital (Tôto meisho 東都名所)

Dimensions (the leaf): 36 x 23 cm

Catalogue raisonné: Sakai, Hiroshige Edo fûkei (1996), list #54.18, pl. 524; Ukiyo-e shûka 14 (1981), Hiroshige list, p. 244, horizontal ôban #64.13; Matsuki 1939, #46.

Provenance: A large collection of 100+ Japanese woodblock prints, properties from a French collector.

Notes: 

Utagawa Hiroshige, was a Japanese ukiyo-e artist, considered the last great master of that tradition. He is best known for his horizontal-format landscape series ‘The Fifty-three Stations of the Tōkaidō’ and for his vertical-format landscape series ‘One Hundred Famous Views of Edo’. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). For scholars and collectors, Hiroshige's death marked the beginning of a rapid decline in the ukiyo-e genre, especially in the face of the westernization that followed the Meiji Restoration of 1868. Hiroshige's work came to have a marked influence on western European painting (see, inter alia, Manet and Monet) towards the close of the 19th century as a part of the trend in Japonism.

2. Compare with a related print preserved in the collection of the Museum of Fine Arts (MFA) of Boston, USA, under accession number 21.9910. Click HERE to see the related print.

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